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Because Japan is prone to earthquakes, buildings, even temporary facilities, have to be quake-resistant, causing Olympic costs to exceed budget estimates, she said. ”We should focus more on sustainability and credibility in planning the Olympics,” Koike told The Associated Press, adding that she will use her expertise as a former environment minister. career”The triple-R of reduce, reuse and recycle perfectly fits the global sustainability and waste management … I will make use of the idea for cost cutting.” She said there is a Japanese word for it – ”mottainai,” meaning ”what a waste.” For instance, Koike said, the idea is demonstrated in the Japanese Shinto tradition of rebuilding the holiest shrine of Ise every 20 years, in which some old materials are reused. Preparations are underway for the 2020 Olympics. Construction of the main stadium is slated to start toward the end of this year. Japan’s capital also hosted the Summer Olympics in 1964. Koike has pledged to examine the spiraling costs to avoid saddling taxpayers with debt. A veteran national lawmaker who has held top Cabinet posts, Koike said she aims to achieve women’s advancement, diversity and policies such as animal rights beyond what the central government has done.

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<img src="" width='250px' alt='Actor Gene Wilder, who entertained audiences with his performances in Willy Wonka & The Chocolate Factory, The Producers and Blazing Saddles, died Monday. He was 83 years old.’ align=’left’ /> He wasn’t afraid of authority in any form, and that’s the part that influenced me the most. He would tell anyone anything, not to be impolite, but he’d show that he wasn’t at all afraid of however much money that person [had] or whatever title they had in a company. It didn’t scare him. Mel was very much the same way. On getting the idea for Young Frankenstein At the time, I didn’t know why, but I know now that when I was a little boy, I was scared to death of the Frankenstein films … and in all these years later, I wanted it to come out with a happy ending, and I think it was my fear of the Frankenstein movies when I was 8 and 9 and 10 years old that made me want to write that story. On working with Richard Pryor in Silver Streak I met him for the first time in Calgary, in Canada. A very quiet, modest meeting. We gave each other a hug, he said how much he admired me, I said how much I admired him, and we started working the next morning, and we hit it off really well, and he taught me how to improvise on camera. On his relationship with Gilda Radner I met her on the first night of filming … Hanky Panky that Sidney Poitier was directing.

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